LONDON — A revival of “Cabaret” that has been the speak of London’s theater world since opening in December, on Sunday swept the Olivier Awards, Britain’s equal of the Tonys.

Starring Eddie Redmayne in his first London function in a decade, “Cabaret” collected seven awards throughout a ceremony at London’s Royal Albert Hall. Its haul included finest musical revival, finest actor in a musical (Redmayne), finest actress in a musical for Jessie Buckley as Sally Bowles, and finest director for Rebecca Frecknall.

Britain’s newspaper reviewers generally struggled for superlatives to explain “Cabaret.” Nick Curtis, writing in The Evening Standard, summed it up with a easy: “Wow. Just wow.”

Matt Wolf, reviewing the present for The New York Times, mentioned that Frecknall had made a “remarkable entry into musical theater” after a number of lauded stage productions right here, together with of Chekhov’s “Three Sisters” and Tennessee Williams’s “Summer and Smoke.” “Frecknall pulls us into a hedonistic milieu, only to send us out nearly three hours later reminded of life’s horrors,” he added.

The musical has gained as a lot consideration for its staging as its performances, with audiences made to enter the Playhouse Theater by way of a facet door, solely to find the constructing has been remodeled to appear to be a 1920s Berlin nightclub. Ticketholders — a few of whom criticized sky-high ticket prices — should work their means by way of a labyrinth of corridors stuffed with dancers and drinks to get to their seats.

Of the actors in its authentic forged, Redmayne received explicit plaudits. Arifa Akbar, writing in The Guardian, mentioned he was “electric,” including: “He gives an immense, physicalized performance, both muscular and delicate, from his curled limbs to his tautly expressive fingertips.”

The different huge winner on Sunday was “Life of Pi” at Wyndham’s Theater, Lolita Chakrabarti’s adaptation of Yann Martel’s novel a couple of zookeeper’s son who, after a delivery accident, is caught on a lifeboat at sea with solely animals for firm. It took 5 awards together with finest new play and finest actor for Hiran Abeysekera, in addition to a crowd-pleasing finest supporting actor award for the seven puppeteers who carry a 44-pound puppet tiger to life onstage.

Reviewers had typically singled out these puppeteers for reward. Dominic Cavendish, writing in The Daily Telegraph, mentioned they made the tiger exude “a watchful malevolence and innate magnificence,” as he “moves from brute prowling threat to personality in his own right.”

Some different reveals did handle to get prizes on the Oliviers. “Back to the Future: the Musical” on the Adelphi Theater, a present that has grabbed consideration for its flying automobile as a lot as its songs, received finest new musical, beating reveals together with “Get Up! Stand Up! The Bob Marley Musical” and the London debut of “Frozen.”

The finest comedy play went to “Pride and Prejudice* (*sort of)” on the Criterion Theater, a quick and unfastened retelling of Jane Austen’s novel, which closed in February citing an absence of audiences returning to the West End.

The different notable winner was a revival of “Constellations” by the Donmar Warehouse on the Vaudeville Theater, which took awards for finest revival and finest actress in a play for Sheila Atim. That 70-minute, one-act play, a couple of couple falling out and in of affection, was successful final summer season as British theater got here again to life after a number of lockdowns.

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