Ukrainian Database Exposes the Art Collections of Russian Oligarchs

Sandro Botticelli, “Portrait of a Young Man holding a Roundel” (c. 1480–1485) was bought by an unidentified Russian purchaser for $92 million in 2021. (picture by Cindy Ord/Getty Images)

Imagine you’re a Russian oligarch with billions of soiled cash to spend on artwork. What would you get? A Picasso, a Monet, maybe a Leonardo? Works by all of these artists have been present in the collections of Russian oligarchs who’ve been sanctioned by international governments for his or her help of the Russian navy invasion of Ukraine.

Earlier this month, Ukraine’s National Agency on Corruption Prevention (NACP) launched War&Art, a database monitoring artworks, worthwhile collectibles, and furnishings owned by Russian businessmen, politicians, and public figures who, regardless of sanctions, attempt to “hide and launder their money” via artwork objects. War&Art was launched to assist stop “the circumvention of sanctions and the search for artistic assets of sanctioned persons” in order that these property will be frozen and ultimately confiscated, based on an NACP statement.

Hyperallergic reviewed the open-source database that includes over 300 artwork objects, inspecting their estimated worth and reported homeowners to find out the artwork tastes of the richest Russian tycoons. Below are some gems in the database’s assortment.

Mark Rothko’s “No. 6 (Violet, Green, and Red)” (1951), reportedly owned by Dmitry Rybolovlev (all screenshots Lisa Korneichuk/Hyperallergic through War&Art database)

Let’s begin with the spiciest — the most costly paintings. Although costs aren’t obtainable for all the objects on the portal, as a consequence of a “complicated” verification course of and lack of official information, Mark Rothko’s “No. 6 (Violet, Green, and Red)” (1951) tops the listing of the most beneficial items. In 2014, it was bought at public sale for $186 million at Christie’s to the Russian businessman Dmitry Rybolovlev, one of the high 200 richest individuals in the world, based on Bloomberg. (Rybolovlev as soon as owned Leonardo’s “Salvator Mundi,” which bought for a report $450M in 2017.) As of now, Rothko’s “No. 6”  is believed to be in the high 5 most costly work ever bought publicly. Rybolovlev, who constructed his fortune as the proprietor of Russia’s largest producer of potassium fertilizers, apparently collects largely Western masters, with different items by El Greco, Picasso, and Renoir.

The oldest paintings in the lengthy listing of property turned out to be Sandro Botticelli’s “Portrait of a Young Man Holding a Roundel,” created between 1480 and 1485 and bought by an unidentified Russian purchaser for $92 million in 2021 — a uncommon discover, as Botticelli’s works aren’t simple to come back throughout on the public sale block. A portrait, whose authorship was questioned for a time, at the moment awaits its proprietor to be revealed, if not for the artwork world, then for the International Working Group on Russian Sanctions.

Marc Chagall is in the assortment of a number of sanctioned people.

The most collected artist in the database is Marc Chagall. A distinguished consultant of early Modernism, Chagall is a Belarusian and French artist of Jewish origin whose apply was extremely regarded by the Surrealists. His works are listed in the collections of three sanctioned Russians, together with that of Petr Aven, a banking magnate and affiliate of Vladimir Putin. Aven, whom the United States Treasury Department just lately sanctioned, has the greatest artwork assortment of all Russian oligarchs offered in the database, with not less than 159 objects, together with work, sculptures, and furnishings centered round the Russian avant-garde, Post-Impressionism, and Realism.

Aven, who was ousted from the Tate Museums’s International Council earlier final 12 months, has a peculiar style in artwork. Among his quite a few classic items, one stands out as a notably whimsical example of Soviet propaganda — a porcelain sculpture set titled “Under the Sun of Stalin’s Constitution.” Created in the early 1950s by the Leningrad Porcelain Factory (LFZ), the set is devoted to the adoption of the USSR Constitution in 1936. The piece is an instance of exoticizing nationwide stereotypes dominating the Soviet state narrative: Just as Christian saints are sometimes depicted together with attributes and motifs that symbolize their life or loss of life, the individuals embodying the Soviet republics are wearing nationwide costumes and surrounded by objects that determine their tradition — a reap of wheat, sheep, a sunflower. Notably, the man dressed casually and bearing the Constitution textual content is, of course, Russian.

Part of the sculpture group “Under the Sun of Stalin’s Constitution” (1951–1952), reportedly owned by Petr Aven

Unlike many of his counterparts, Russian hip-hop singer Timur Yunusov, higher identified by his stage title Timati, centered his aspirations on modern artwork, apparently aiming to amass the most huge assortment of paintings by KAWS (Brian Donnelly). The son of an oil businessman and a vocal Putin supporter, Yunusov obtained not less than 64 Bearbricks (vinyl collectible toys crafted in restricted runs by Japanese MediCom in partnership with designers and artists) in addition to Companions (a clown-like character conceived in 1999 and subsequently replicated extensively worldwide) by the Brooklyn-based artist. What else is in his assortment? A Romero Britto drawing, a Zimmermann piano, and a marble bathtub.

A marble bathtub reportedly owned by Russian singer Timur Yunusov

The NACP database is useful to underscore the affect of Kremlin-backed cash on artwork and the “artwashing” of politics. At the onset of the Russian invasion of Ukraine, quite a few museums severed ties with Russian fossil extraction beneficiaries, some of whom had served as board members, main donors, or trustees of establishments that formed the worldwide artwork scene. Last 12 months, analysis by the Anti-Corruption Data Collective detailed how US establishments acquired hundreds of thousands from Russian oligarchs.

The NACP agrees: “Paintings, sculptures, and artistic jewelry — these are precisely the tools used as loopholes to circumvent sanctions,” the group stated in an announcement. However, it’s not simply work aiding rich Russians in evading the penalties of their militaristic home insurance policies — their roles as patrons and artwork supporters promoted by famend establishments shift focus away from their political actions. Art establishments are actually confronting a difficult dilemma: distance themselves and reduce the Russian cash stream or preserve the establishment.

If you occur to know some Annas Delveys whose collections are as much as be sanctioned or need to apply your open-source intelligence expertise, the NACP encourages customers to report these property and be a part of the database progress.

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